Steven Robertson
Always active Instagram: @stevenrobertsonhair
I remember when this was first posted on hb, and I haven't been on there so much these days, and I have kept looking at this post thinking about your question. I find it particularly interesting considering the "I am a visual artist" campaign recently with hairdressers, not only in the UK.
I think we all use our visual senses in a creative way, more than we realize. If you check out Russell Mayes video with Nancy Ngouy: he has a great introduction to the video about how our eyes are always becoming more refined about how we look at our work, faster than our technical skill, causing us periods of being unsatisfied with the quality of our work, and I greatly agree.
When you look at a client and have a vision in your head of how you want their hair to look, before you have actually touched their hair you are using your creativity. I wouldn't refer to myself as a "hair artist", but when I am working I feel like I am artistic. If I am doing a very classic foil it can feel more robotic than artistic, but nowadays we can combine so many techniques that allow us to use our minds more, and why I love balayage so much is I feel like I can paint exactly where I want the colour to show in my mind.
I don't agree with the thinking outside the box idea so much, although I love seeing avant garde work, I don't think it means that editorial or commercial work isn't artistic. There are many styles and movements in art, and the most well known are those that broke the artistic boundaries of the time or changed direction art . But I wouldn't say someone painting a still life isn't an artist because he isn't breaking boundaries. Some people are classically trained in art, like we are in our technique. But for me the key is using not your tools, but your eyes and your vision.
So insightful! Artist by profession vs. artistic by vision. What a great way to discuss both matters with out the degradation of either! I do agree with the video intro, in that peoples eyes refine faster than their technique. I do think it's a major contributor to why people can be so quick to judge or point out flaws in their own and other peoples works, without the necessary suggestions of making it better. It makes things come off as "you try and make it better, if you think you're so good!". When that may not be the case. It's usually the simple fact that it's our minds can point out what is not complimentary, or balanced, or cohesive, yet we may not know why or how to make it better. We just know that it's not quite right. I think being an artist is growing to the point to where you have figured out how to make things better. Or at least that you're able to discuss and execute possibilities!